WHITE EARTHENWARE
is based on this clay, the addition of cellulose fibres to the clay make it much stronger, and it is more forgiving than normal clay. It is extremely strong in the unfired state, making it suitable for use as an air drying clay. Simply paint and seal the dry artworks with a sealant. It can also be kiln fired. Available as normal paper clay with recycled paper pulp, or as GOLD LABEL PAPER CLAY, using a super fine white paper dust, for a very fine paper clay for throwing, turning, decoating etc. Underglaze decoration should be applied after bisque (1st) firing.
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WHITE GROG RAKU
is based on this clay, the addition of cellulose fibres to the clay make it much stronger, and it is more forgiving than normal clay. It is extremely strong in the unfired state, making it suitable for use as an air drying clay. Simply paint and seal the dry artworks with a sealant. It can also be kiln fired. Underglaze decoration should be applied after bisque (1st) firing.
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FINE WHITE STONEWARE
WHITE STONEWARE PAPER CLAY is based on this clay, the addition of cellulose fibres to the clay make it much stronger, and it is more forgiving than normal clay. It is extremely strong in the unfired state, making it suitable for use as an air drying clay. Simply paint and seal the dry artworks with a sealant. It can also be kiln fired. Available as normal paper clay with recycled paper pulp, or as GOLD LABEL PAPER CLAY, using a super fine white paper dust, for a very fine paper clay for throwing, turning, decoating etc. Underglaze decoration should be applied after bisque (1st) firing. |